
GRADUATION SHOW AT STAATSGALERIE STUTTGART
Out of the academy – and already in the museum: In the second edition the exhibition “A–Z. Mapping the Future” presents recent final projects by this year’s graduates of the State Academy of Fine Arts Stuttgart. The idea for this exhibition series emerged from the Academy’s desire to offer young artistic positions a visible platform within the city, while also fostering a contemporary dialogue between the museum and the art school.
The title “A–Z” is to be understood as a conceptual statement: the works are displayed in alphabetical order according to the artists’ last names – a deliberately neutral curatorial structure that places artistic diversity at the center. The works on view stem from various academic programs: the Diploma in Fine Arts, the Master of Education in Art Education, and the M.F.A. in Body, Theory and Poetics of the Performative.
The exhibition demonstrates how confidently and individually this new generation of artists expresses itself. “Mapping the Future” brings diversity into the museum space, making it unmistakably clear: for many of the participating artists, the future has already begun.
Link zur Staatsgalerie Website:


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Anna Diehr, Anna Krowni, Anna Krowni Diehr




STICKY
Opening night Impressions of my debut Soloshow at Better Go South Gallery Berlin
19.11.2024 - 20.12.2024
For her debut solo show, German artist Krowni explores intimacy, connection, and the multifaceted nature of desire. Using a saturated palette and playful compositions inspired by her photography, she examines the “stickiness” of human relationships—how they cling, bind, and leave lasting imprints, whether tender or firmly. In her works she weaves together themes of attachment, release, and vulnerability, offering a distinctly queer perspective on belonging. Grapes squeezed to release their juice evoke the tension between tenderness and violence; lips poised with aim symbolize the pursuit of fulfillment, grappling with longing and exposure. Elsewhere playing on the loyalty of a dog and searching for belonging though similarities such as matching outfits, the permanence of a tattoos and infliction of pretty wounds to heal more ugly ones, or the shared gestures between friends in the portrait series of “All my friends moved to Berlin” reveal how bonds are formed and maintained. Drawing inspiration from internet culture, sapphic history and personal memory, Krowni plays with subtle symbols and visual cues that invite an “if you know, you know” recognition. Her works navigate the dissonance between hyperfemininity, beauty, and pain, oscillating between intimacy and exhibitionism. STICKY tries to capture some of the complexities of human relationships—a sensuous, sometimes chaotic dance between connection and individuality, desire and freedom. Through her vivid, humorous, and tender works, Krowni shows the moments that cling, linger, and leave their mark.


